Writing
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Dan Friedman: A Personal Appraisal
For 25 years, first as a colleague at Yale, then as a friend, I observed the fascinating evolution of this influential, but less well-known designer/philosopher. I have helped stage multiple exhibitions of his work and spoken about his multi-faceted career and influential ideas at many schools and organizations around the country. You can see a recent lecture on Dan here.
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Dan Friedman: A Personal Appraisal
For 25 years, first as a colleague at Yale, then as a friend, I observed the fascinating evolution of this influential, but less well-known designer/philosopher. I have helped stage multiple exhibitions of his work and spoken about his multi-faceted career and influential ideas at many schools and organizations around the country. You can see a recent lecture on Dan here.
Running an In-house Design Group
In 2009, I was asked to address the annual How [Design] Conference, which that year focused on the particular management issues of in-house design groups. This gave the the chance to think back on my experience at WGBH and try
Running an In-house Design Group
In 2009, I was asked to address the annual How [Design] Conference, which that year focused on the particular management issues of in-house design groups. This gave the the chance to think back on my experience at WGBH and try
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Flatland
Compared with other design disciplines, graphic design is essentially non-spatial. Architecture, exhibit design, landscape design, product design, even fashion design are all more about space than graphic design is. In fact, “graphic” implies something to do with “written or pictorial
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Flatland
Compared with other design disciplines, graphic design is essentially non-spatial. Architecture, exhibit design, landscape design, product design, even fashion design are all more about space than graphic design is. In fact, “graphic” implies something to do with “written or pictorial
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10 things I learned (or at least had confirmed) at WGBH
Farewell party, WGBH, 10.28.08 The chance invitation to work here at WGBH placed me in an environment that was a perfect fit for my temperament and aspirations as a professional and just a plain person. Once here I recognized, gradually,
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10 things I learned (or at least had confirmed) at WGBH
Farewell party, WGBH, 10.28.08 The chance invitation to work here at WGBH placed me in an environment that was a perfect fit for my temperament and aspirations as a professional and just a plain person. Once here I recognized, gradually,
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Some things change, some things stay the same
Some things change…. In the past several decades we have witnessed a series of amazing changes in the way we think about the profession of graphic design. Here is my short list: 2D / 4D Once graphic design
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Some things change, some things stay the same
Some things change…. In the past several decades we have witnessed a series of amazing changes in the way we think about the profession of graphic design. Here is my short list: 2D / 4D Once graphic design
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Joseph Muller-Brockmann’s Typographic Re-boot
In the mid 60’s, when I was just learning about design and typography at Yale, Modernism was the style du jour. I was intellectually turned on by the minimalism (one font, usually Akzidenz in just a few sizes), the rules
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Joseph Muller-Brockmann’s Typographic Re-boot
In the mid 60’s, when I was just learning about design and typography at Yale, Modernism was the style du jour. I was intellectually turned on by the minimalism (one font, usually Akzidenz in just a few sizes), the rules